Printing in the Footsteps of Giants
by Philip C. Salmon
But on a more personal level, I felt as if a circle had been completed in my own career as a bookseller. My involvement in the acquisition of the very press on which William Morris printed the great Kelmscott Chaucer brought me back to 1996, when I was working as a cataloger for a bookseller in New Hampshire and had the good fortune to assist in the preparation of the catalogue of Jack Walsdorf’s third Morris collection. It was from this small beginning that my interest in the world of fine press printing and book arts took shape.
On this mild October evening, Steve Galbraith, curator of the Cary Graphic Arts Collection at RIT, recounted the thrill ride of the auction rooms and the challenges of getting the 3000-pound press to Rochester from New York City. He was followed by associate curator Amelia Hugill-Fontanel, who spoke about the process of restoring the press. After the initial presentation, the audience was invited to the print room in the Cary Pressroom and we were given the opportunity to pull a commemorative broadside featuring woodcuts of Morris and Goudy by Steven Lee-Davis.